Te season 2015-2016 of Marc Mauillon is again rich and contrasted. In the opera, it is marked by the title role of Pell?as and M?lisande, de Debussy in the Opera of Malm? (Sweden). He also returns to the Op?ra National de Lorraine, with the roles of Mercury (Orph?e aux enfers , of Ofenbach) and Momo (Orfeo, of Rossi). He works with ensembles as Pygmalion, Arpeggiata, LesCris de Paris, Hesp?rion XXI-Jordi Savall.
Besides, this season four new recordings: a volume 2 dedicated to the musicians of the Great War (with Anne Le Bozec at the piano); a recording dedicated to the Florentine monody of the beginning of the XVIIth century (with Ang?lique Mauillon at the harp); a program of sacred music in three voices of men, of Purcell, with La R?veuse; an anthology of airs of court, with Le Po?me harmonique, come along with concerts and recitals, a shape which he likes quite particularly.
Te whole Marc Mauillon’s career is just like this diversity and just like this wealth; so, among the strong moments which marked his route, let us quote his meeting with William Christie and Les Arts Florissants (since the 2002 session of the Jardin des Voix, a succession of projects among which Atys , Plat?e, Armide, Dido and Aeneas , and numerous concerts of anthems and airs of court) and Jordi Savall (concerts and recordings); the title roles of Egisto (Cavalli) and Cadmus and Hermione (Lully) with Vincent Dumestre and Benjamin Lazar, who put him on stage with a critical and public success in the creation of Cachafaz (Oscar Strasnoy according to a room of Copi).
On the stage of the Opera de Paris, he embodied the role of Tisiphone in Hippolyte and Aricie (Rameau – conductor : Emmanuelle Ha?m). Finally, since 2009, he leads with Pierre Hamon, Ang?lique Mauillon and Vivabiancaluna Bif a research on the work of Guillaume de Machaut, giving rise to three recordings regularly given in concert.
Besides, Marc Mauillon also worked with Herv? Niquet’s concert of sacred music (for programs of big anthems and the role of one of the absurd monks of the King Arthur (Purcell) staged by Shirley and Dino), with Talens Lyriques de Christophe Rousset (roles of the Hatred and Aronte in Armide de Lully), with Les Musiciens du Louvre, de Marc Minkowski (Hermann’s roles and Schlemil in Les Contes d’Hofmann) and Alain Altinoglu (Papageno in Zauberf?te ). Lover of the
polyphony, he comes back to it regularl, with theensembles Doulce M?moire, of Denis Raisin-Dadre, and Vincent Dumestre’s Po?me harmonique. In the feld of the contemporary creation, he was also the interpreter of Marc-Olivier Dupin (Robert le cochon’s title role and Robert le cochon et les Kidnappeurs ), of E?tv?s (Roger in Le Balcon), of Dusapin (Rom?o 2 in Rom?o et Juliette ) and Kaya Saariaho (Jaufr? Rudel in L’Amour de loin).
In other directories, he interpreted Guglielmo (Cosi fan Tutte) , Te Husband (Les Mamelles de Tir?sias ), all the male roles of L’Enfant et les sortil?ges and was one of voice of the trio of Trouble in Tahiti. Concerning operetta, he was several time Bobinet in La vie parisienne , Gaston in Rayon des soieries, Andr? de Langeac in Les Saltimbanques …
We can listen to Marc Mauillon in recording in the various directories where he becomes famous. Tree programs Machaut appeared at Eloquentia (Amoureus Tourment, Le Rem?de de Fortune and more recently,Mon Chant vous envoy ); the recordings in which he participated with Jordi Savall (Jerusalem, La Trag?die Cathare , La Dinastie Borgia , Erasme de Rotterdam); of numerous DVD of opera with Les Arts Florissants, as well as, with Le Po?me harmonique , the DVD of Dido and Aeneas and the CD of Combatimento ( Monteverdi)… With piano: he recorded, accompanied by Guillaume CoppolaMiroirs Br?lants , complete melodies of Poulenc and Eluard, and accompanied by Anne Le Bozec, frst volume dedicated to the melodies of the Great War.
In 2014, Marc Mauillon adds the educational coat at his directory, by becoming singing teacher in the Pole Sup ‘ 93, having given several Master’s degrees classes in France and abroad (in particular in Moscow this season).